Monograph: Dreams in Chinese Fiction (2025)

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william Jankowiak

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In this report I analyse various folk ideas that the Chinese often applied to their own dream interpretations. Understanding the context and meaning of a Northern Chinese folk dream model provides insight into Northern ideas of causation, anxiety, and the efficacy of a vision. It also provides additional support that China during the Republic (1912–1949) and Maoist (1949–1978) eras was more of a shame rather than a guilt culture.

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Dreams interpretations in Chinese culture (TCM)

Dr Igor Micunovic

Wall Street International , 2022

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Daoist Views of the Dream State

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Sleep of Heroes and Villains: Types of Dreams and Their Uses in a 17th-Century Full-length Novel

Vincent Durand-Dastès

This conference paper, presented at the AAS in Chicago in 2015 has been the starting point of a later publication in French: "Sommeil du juste et du scélérat : les usages narratifs du rêve dans un roman fleuve chinois du xviie siècle", Récits de rêve en Asie Orientale, Extrême-Orient Extrême-Occident, 42, 2018, p. 153-178. The reader wishing to find the full references of this paper as well as a more developed version is kindly invited to refer to the 2018 article. Abstract: This paper focuses on the study of two dreams that play an important part in the narrative structure of a 1620s novel, Chan zhen yishi禪真逸史. Though these dreams are initially interpreted by the protagonists according to the oneiromantic knowledge of the time, it is the elements that these initial readings overlooked that will have a greater effect on the later developments of the tale. Without contesting the value of the divinatory knowledge of dreams, the novelist thus proves himself capable of undertaking original explorations, religious and psychological, in the world of late imperial Chinese dreams.

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Manfred Engel

Typologizing the Dream / Le rêve du point de vue typologique, 2022

There is nothing like a firmly established typology of dreams – simply because the taxonomies on which existing typologies are based vary widely: They can be oneirocritical, thematic, or based on dreaming characters or their responses, on narratological functions, etc. The essays in this volume will discuss a broad range of dream types, with a special focus on nightmares and erotic, funny, indigenous and children’s dreams. Examples are taken from a great variety of cultures and historical periods. Their authors and artists include: Akinari, Barrie, Baudelaire, Benjamin, Black Elk, Buñuel, Burroughs, W. Busch, Calvino, Cantilo, Cao Xueqin, Cardano, Carroll, Coogler, Corkran, Cortázar, Crébillon fils, Dalí, Eco, Ende, Foer, Fuseli, Garnier, Gatore, Grévin, Grünbein, Guo Moruo, Hauptmann, Hawthorne, Hebbel, Heine, E.T.A. Hoffmann, Huysmans, Ilboudo, Ilibagiza, Kafka, F. Lang, Leiris, Li Yu, Malerba, Mizoguchi, Morgenstern, Mussorgsky, Nodier, Nolan, Okopenko, Pushkin, Radcliffe, Rimbaud, Robison, Schafer, Schiller, Schnitzler, Schwarz-Bart, P.B. Shelley, Soqluman, Storm, Szittya, Tamapima, Tchaikovsky, D.M. Thomas, Tristan L’Hermite, Valenzuela, Vava, Yourcenar, Yu Dafu, and many others. Areas of interest: Cultural, literary and medial history of the dream; dreams in Literature; dreams in film; theory of the dream; the nightmare; dream in the visual arts; dreams in computer games / video games; dream reports.

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Pi-ching Hsu, "Emotions and Dreams in Feng Menglong's 'Three Words' : An Intellectual Historical Inquiry", Ming Qing Yanjiu 2006

Ming Qing Yanjiu

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A Dream of the Red Mansions: the Narrative Complexity of a Chinese Masterpiece -- Introduction

Dr. Ling Wei 韋凌

Der Traum der roten Kammer : die erzählerische Komplexität eines chinesischen Meisterwerks , 2019

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Chinese Dream

Andy Vogel

This capstone project is an examination of the Chinese Dream. This capstone compares and contrasts what the Chinese Dream is and what are the people of China dreams for China. Through surveys and interviews, it explores the visions of the Chinese to better understand what shapes China and the Chinese. The results will provide a thorough understanding of the Chinese Dream and will provide key insights into China at the beginning of the 21st Century. To achieve this goal this paper has been organized into two main sections with subsections. The first section examines the buildup of the Chinese Dream and various interpretations of what individuals believe the Chinese Dream means. It then examines through secondary sources Xi Jinping’s idealistic key slogan “Chinese Dream” (中国梦) from the CCP’s official Chinese perspective and compares it to interpretations of the Chinese Dream from western experts on the subject. Section one ends with an examination of the five key points of Xi’s second centenary goal of creating a ‘prosperous, strong, democratic, culturally advanced, harmonious modern socialist society.’ In the second section, through both surveys and interviews, this capstone asks Chinese from different geographic areas what are their interpretations of the Chinese Dream. It then explores the research design and sample, measurement and data analysis, results and findings followed by the discussion and conclusion sections, which offer a synopsis and future research possibilities. In conclusion, this study aims to understand what are the dreams and visions of the Chinese, which could then be used as a platform for course design or for further study in pursuit of a Ph.D. in international studies.

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Review of "Dreams and Modernity: A Cultural History" by Helen Groth and Natalya Lusty

Anne Stiles

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Monograph: Dreams in Chinese Fiction (2025)

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